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[1-2] sketching perspective shifts of looking at a trunk from ground to sky

[3-4] sketching the passage of light through tree limbs

[5-9] chronological sequence of painting tree anatomy

[10-19] details of structures of the shifting light, color, and perspective

[20] the linear structure of the movement of light

[21] re-emergence of color and retracing lineal constructs; shape versus line

[22-31] details; linear and planar components converse

anatomy of place | lineal constructs | perspectival shift

a series of sketches drawn to calculate the experience and exchange of perspective shifting. the analysis relies on the structure and relationship between viewer and trees. the examination of the tree begins from the ground and is a vertical activity; the viewer scans the tree up-and-down from a grounded view point towards the sky. the sketches study the fragmented parts of the shifts---zooming inward to the anatomy of filtered light through branches.

“The object of art is not to reproduce reality, but to create a reality of the same intensity.”

— Alberto Giacometti

sequence [1-2] analyzing perspective shiftsa series of sketches drawn to calculate the experience and exchange of perspective shifting. the analysis relies on the structure and relationship between viewer and trees. the ex- amination of the tre… — sequence **[1-2]** *analyzing perspective shifts*
a series of sketches drawn to calculate the experience and exchange of perspective shifting. the analysis relies on the structure and relationship between viewer and trees. the ex- amination of the tree from the ground is a vertical activity ; the viewer scans the tree up-and-down from a grounded view point. the sketches study the fragmented parts of the shifts

a catalogued process | re-emergence of color and retracing lineal constructs

sequence [3-4] measuring the analysis and placing thought the beginning of the painting is marked by the visual manifestation of the collected analytical conclusions. here the shifting perspectives are made apparent through cha… — sequence [**3-4]** *measuring the analysis and placing thought* the beginning of the painting is marked by the visual manifestation of the collected analytical conclusions. here the shifting perspectives are made apparent through changes in color, hinting at planar realms with line, and the exchanges between the grounded trunks of the trees and their skyward partners of branches

sequence [5] exchanges of transforming spacethe middle horizon realm holds the space where the spaces of sky are transformed and exchanged to ground realms. this a collected place of perspective and phenomenal shiftssequence [6] final im… — sequence *[5]* *exchanges of transforming space*
the middle horizon realm holds the space where the spaces of sky are transformed and exchanged to ground realms. this a collected place of perspective and phenomenal shifts
sequence ***[6]*** final image the final image is not bound to one orientation.

sequence [1] making measurebeginning to measure light and forms of azoomed in moment of a place — sequence **[1]** making measure
beginning to measure light and forms of a
zoomed in moment of a place

sequence [2] measuring light
capturing the phenomena of moving light.
the red indicates the brightest and harshest light

sequence [3] planar measure
color re-emerges as planes that give boundaries and surfaces for the measured lines to dwell with. some of the planes begin to trace their own existence, free of the line, and emerge then as their own formation of movement and line